Stéphanie JABRE HAGE (EL)

Faculté des lettres et des sciences humaines Ramez G. Chagoury – Maître de conférences

+961 (1) 421 000 stephanie.jabre@usj.edu.lb

Enseignant Profile

Maître de conférences et chef du département de Lettres françaises. Spécialiste de poésie, en particulier de la poésie du XIXe siècle, du verset moderne et de la théorie mimétique de René Girard.


Education

Diplôme Université Pays Année
Doctorat - Lettres françaises Saint Joseph University of Beyrouth Liban 2018
Lettres françaises Saint Joseph University of Beyrouth Liban 2011
Lettres françaises Saint Joseph University of Beyrouth Liban 2006

Enseignement à l'USJ

Enseignant Ens a USJ
- XVIe siècle : Humanisme et Renaissance<div>- Culture de l'Antiquité</div><div>- Introduction aux genres littéraires.</div><div><br></div>

Enseignement universitaire hors USJ

Expérience professionnelle hors USJ

Domaine d’expertise

Enseignant Discipline
Arts, Lettres et Sciences humaines; Sciences religieuses

Thématiques de recherche

Enseignant Thematique

<p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;mso-add-space:auto;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";mso-ansi-language:fr;layout-grid-mode:line"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line"="">La poésie francophone et anglophone<o:p></o:p></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;mso-add-space:auto;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";mso-ansi-language:fr;layout-grid-mode:line"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line"="">Le verset moderne<o:p></o:p></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;mso-add-space:auto;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";mso-ansi-language:fr;layout-grid-mode:line"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line"="">Violence et théorie mimétique<o:p></o:p></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;mso-add-space:auto;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";mso-ansi-language:fr;layout-grid-mode:line"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line"="">Questions de stylistique<o:p></o:p></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;mso-add-space:auto;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";mso-ansi-language:fr;layout-grid-mode:line"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line"="">Epopée et mythes modernes<o:p></o:p></span></p>

Publications et communications

Enseignant Publi and Com

<p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="">« Il y aeu le passé : raconter le monde d’avant l’événement »,<i> Elseneur, </i>2025<i>.</i>(à paraître)<i><o:p></o:p></i></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="">«&nbsp;Dela destruction à la création&nbsp;: le monde dans le poème en versets&nbsp;»<i>,Revue des Sciences humaines, </i>numéro 347, Juillet-Septembre 2022.<i><o:p></o:p></i></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span lang="EN-US" style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;layout-grid-mode:line;mso-bidi-font-weight:="" bold;mso-bidi-font-style:italic"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span lang="EN-US" style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";layout-grid-mode:line;mso-bidi-font-weight:bold"="">«&nbsp;Joyoussacrifice: on the Scapegoat as voluntary victim in «&nbsp;Song of Myself&nbsp;»and «&nbsp;Howl&nbsp;»&nbsp;»<i>, Contagion, </i>27, 2020.</span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="">«L’expression de la joie dans le verset », <i>Acanthe</i>, volume 33, 2015.<o:p></o:p></span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="">« Larevue Shi’r : une volonté de modernisation de la poésie arabe », <i>Travaux etjours</i>, numéro 86, 2012.</span></p><p class="MsoNormal" style="margin-top:0in;margin-right:-28.1pt;margin-bottom:0in;margin-left:.5in;text-align:justify;text-indent:-.25in;line-height:normal;mso-pagination:none;mso-list:l0 level1 lfo1;tab-stops:list .5in"><!--[if !supportLists]--><span style="font-size:8.0pt;font-family:" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"=""><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span></span></span><!--[endif]--><span dir="LTR"></span><span style="font-size:10.0pt;font-family:" times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="">« Leverset dans la poésie française du début du XXème siècle », <i>Acanthe</i>,volume 29-30, 2011-2012.<o:p></o:p></span></p>

Liens utiles

Prix et distinctions