Stéphanie JABRE HAGE (EL)

Faculté des lettres et des sciences humaines Ramez G. Chagoury – Maître de conférences

+961 (1) 421 000 stephanie.jabre@usj.edu.lb

Lecturer and Head of the Department of French Literature. Specialist in poetry, in particular nineteenth-century poetry, modern verset and the mimetic theory of René Girard.

Education

Diplôme	Université	Pays	Année
Lettres françaises	Saint Joseph University of Beyrouth	Lebanon	2018
Lettres françaises	Saint Joseph University of Beyrouth	Lebanon	2011
Lettres françaises	Saint Joseph University of Beyrouth	Lebanon	2006

Teaching at USJ

- XVIe siècle : Humanisme et Renaissance<div>- Culture de l'Antiquité</div><div>- Introduction aux genres littéraires.</div>

University teaching outside USJ

Professional experience outside USJ

Areas of expertise

Art, Humanities, Religious Sciences

Research themes

<div>- Francophone and Anglophone poetry</div><div><br></div><div>- The Modern Verset</div><div><br></div><div>- Violence and mimetic theory</div><div><br></div><div>- Stylistic issues</div><div><br></div><div>- Epic and modern myths</div>

Publications and communications

<p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« Il y a eu le passé : raconter le monde d’avant l’événement »,<i> Elseneur, </i>2025<i>.</i> (à paraître)<i><o:p></o:p></i></span></p><p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« De la destruction à la création : le monde dans le poème en versets »<i>, Revue des Sciences humaines, </i>numéro 347, Juillet-Septembre 2022.<i><o:p></o:p></i></span></p><p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span lang="EN-US" georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;layout-grid-mode:line;mso-bidi-font-weight:="" bold;mso-bidi-font-style:italic"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span lang="EN-US" times="" new="" roman",serif;mso-fareast-font-family:="" "times="" roman";layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« Joyous sacrifice: on the Scapegoat as voluntary victim in « Song of Myself » and « Howl » »<i>, Contagion, </i>27, 2020.</span></p><p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« L’expression de la joie dans le verset », <i>Acanthe</i>, volume 33, 2015.<o:p></o:p></span></p><p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« La revue Shi’r : une volonté de modernisation de la poésie arabe », <i>Travaux et jours</i>, numéro 86, 2012.</span></p><p class="MsoNormal" style="margin: 0in -28.1pt 0in 0.5in; text-align: justify; text-indent: -0.25in; line-height: normal;"><span georgia",serif;mso-fareast-font-family:="" georgia;mso-bidi-font-family:georgia;mso-ansi-language:fr;layout-grid-mode:="" line;mso-bidi-font-weight:bold"="" style="font-size: 8pt;">-<span times="" new="" roman""="">         </span></span><span dir="LTR"></span><span times="" new="" roman",serif;mso-fareast-font-family:"times="" roman";="" mso-ansi-language:fr;layout-grid-mode:line;mso-bidi-font-weight:bold"="" style="font-size: 10pt;">« Le verset dans la poésie française du début du XXème siècle », <i>Acanthe</i>, volume 29-30, 2011-2012.</span></p>