Elie YAZBEK
École doctorale sciences de l'homme et de la société – Professeur
Institut d'études scéniques, audiovisuelles et cinématographiques – Professeur
+961 (1) 421 000 ext 5452 elie.yazbek@usj.edu.lb
Elie Yazbek is the director at the Doctoral school for human and social sciences (EDSHS) at Saint-Joseph University of Beirut, Lebanon. He was director of the « Institute of theatrical, audiovisual and cinematographic studies» (IESAV) in the same university from 2011 till 2020.He is a professor and teaches multiple courses (directing, film theory…). He also directs seminars in Finland, France, Greece and is a guidance counselor at the Institut des métiers du cinéma (ISMA) in Benin, one the leading audiovisual institutes in Africa, where he teaches since 2011. He published essays, « Regards sur le cinéma libanais » and « Montage et idéologie dans le cinéma américain contemporain», edited several collective books, the last of them « Religion and Science Fiction » and « Creer apres la catastrophe », have several articles in Lebanese and international journals (Canada, France, Brazil, Spain, Finland…) and two plays (« Orage d’été » and « Les autres enfants de Dieu »).He is also a documentary filmmaker (“From Shade to light, The Pierre Abou Khater Story”, “Searching for Fouad Abi Abdallah”, “Silwan”. “Lebanese war never happened…).
Education
| Diplôme | Université | Pays | Année |
|---|---|---|---|
| Doctorat en cinéma | Université Paris 3 Sorbonne nouvelle | France | 2008 |
| DEA en cinéma | Saint Joseph University of Beyrouth | Lebanon | 2003 |
Teaching at USJ
University teaching outside USJ
| University teaching outside USJ | Pays | Institution | Start date | End date |
|---|---|---|---|---|
| teaching | Belgium | Erasmushogeschool Brussel - RITC School of Arts | 14/11/2023 | 21/11/2023 |
| teaching | France | Université Paris 3 Sorbonne nouvelle | 16/01/2022 | 01/02/2022 |
| teaching | France | Université Paris 1 Panthéon- Sorbonne | 01/03/2020 | 07/03/2020 |
| teaching and head of jury | France | Institut Supérieur des Métiers de l'Audiovisuel ISMA | 01/01/2012 | 31/12/2020 |
Professional experience outside USJ
| Professional experience | Organisation | Start date | End date |
|---|---|---|---|
| Directing | LBCI | 01/01/2000 | 31/12/2002 |
Areas of expertise
Research themes
lebanese cinema, theory of cinema, science fiction, super heros
Publications and communications
<p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span lang="FR" style="font-size:10.0pt;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><!--[endif]--><span dir="LTR"></span><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial">Créer encore : la vieartistique au Liban après la catastrophe, in </span></i></b><b><i><span lang="FR" style="font-size:10.0pt">Créer après la catastrophe</span></i></b><b><span lang="FR" style="font-size:10.0pt">, <i>(</i>co-direction with Sylvie Dallet<i>)</i>,Editions L’Harmattan, coll. Ethique de la création, June 2023</span></b><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial"><o:p></o:p></span></i></b></p><p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span lang="FR" style="font-size:10.0pt;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><!--[endif]--><span dir="LTR"></span><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial">Cinema and Soufi : Thesilence by Mohsen Makhbalbaf, conference, OpenSuccess symposium, University of Graz, Autriche, May 2023<o:p></o:p></span></i></b></p><p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span lang="FR" style="font-size:10.0pt;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><b><span lang="FR" style="font-size: 10pt; color: black; background: white;"><i>Le cinéma libanais : entre l’Histoire, la mémoire etl’identité, Chaire Roger ODIN (ED 267), Sorbonne nouvelle, </i>January <i>2022</i></span></b><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial"><o:p></o:p></span></i></b></p><p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span lang="FR" style="font-size:10.0pt;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><!--[endif]--><span dir="LTR"></span><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial">La censurecinématographique au Liban : une histoire mouvementée, </span></i></b><b><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial">in<i> </i>Darkness,Censure et Cinéma : Orient, Ed. Lettmotif, 2022</span></b></p><p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span lang="FR" style="font-size:10.0pt;mso-bidi-font-weight:bold;mso-bidi-font-style:italic"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><!--[endif]--><span dir="LTR"></span><b><i><span lang="FR" style="font-size:10.0pt">L’Expérience théâtrale et thérapeutique de ZeinaDaccache dans les prisons libanaises, </span></i></b><b><span lang="FR" style="font-size:10.0pt">in Incertains Regards, Presses Universitaires deProvence, Aix Marseille Université, Trimestre 4, 2021</span></b><b><i><span lang="FR" style="font-size:10.0pt;mso-bidi-font-family:Arial"><o:p></o:p></span></i></b></p><p class="m5778862912262927360ydpe7fd5a6dmsonormal" style="margin-left:49.5pt;text-align:justify;text-indent:0in;mso-list:l0 level1 lfo1"><!--[if !supportLists]--><span style="font-size:10.0pt;mso-ansi-language:EN-US;mso-bidi-font-weight:bold"><span style="mso-list:Ignore">-<span style="font:7.0pt " times="" new="" roman""=""> </span></span></span><!--[endif]--><span dir="LTR"></span><b><i><span style="font-size:10.0pt;mso-ansi-language:EN-US">Is superman a God? </span></i></b><b><span style="font-size:10.0pt;mso-ansi-language:EN-US">in Journal of Religion, Film,and Media, issue 6: Science Fiction and Religion</span></b><b><span style="font-size:10.0pt;mso-bidi-font-family:Arial;mso-ansi-language:EN-US">, U<span style="color:black;mso-color-alt:windowtext;background:white">niversities ofGraz, Hull, Lausanne, Marburg, Munich, and Villanova, Ed. Schuren, May 2020</span><o:p></o:p></span></b></p>
Anglais
French